PROJECT : ENCORE™: Yes

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Bunda Kum Bun

Composer: 
Sarinda Soponpong
Premiere Date: 
September 29, 2011
Composer Notes: 

 
In this piece, I combined two musical contexts, which are Thai language and style and western harmony. It is very obvious that the texts are not in English, but it is written by using English characters to make it easier to read for non-native speakers. Furthermore, most of the melodic direction, scale, and rhythmic pattern are not in western style. On the other hand, in term of harmony, it is obvious that this piece is harmonize in western style by using chords and some counterpoints, which Thai music does not have these two elements.

Tesserae

Composer: 
Kai Han Jeremiah Li
Premiere Date: 
April 1, 2010

Fire and Ice

Composer: 
Andrea Clearfield
Premiere Date: 
May 19, 2007
Composer Notes: 

 

The Voice of Isaac

Composer: 
Howard Frazin
Premiere Date: 
March 1, 2003
Composer Notes: 

Although premiered at Jordan Hall in March 2003 by a children’s chorus (PALS) with baritone soloist, The Voice of Isaac has subsequently been presented with solo adult voices and  can effectly be presented in several possible ways including adult singers (chorus and soloists) only, as well as a combination of adult and children singing choral and solo parts.

Program note [from March 2003 Jordan Hall premiere]:

On a Mountain Path

Composer: 
Peter Knell
Premiere Date: 
May 30, 2009
Composer Notes: 

On a Mountain Path was composed in the fall and winter of 2008-2009 for Voci Chamber Chorus. The inspiration for the piece came from the theme of the concert it was composed for: mountains and rivers with an East-meets-West subtheme. As I contemplated how I might realize this theme, I was immediately drawn to the idea of setting haiku. I have always been attracted to the simplicity and austerity of the form, and the wonderful invention it has inspired. I settled on five texts by Basho that all feature mountains. “Natsu kodachi” centers around a pun on th

The Long Bright

Composer: 
Andrea Clearfield
Premiere Date: 
April 26, 2004
Composer Notes: 

The Long Bright is an hour-long cantata on breast cancer. The premiere was held at the Kimmel Center for the Performing Arts in Philadelphia and served as a fundraiser. raising over $40,000 for breast cancer research. The Long Bright was awarded the 2005 Theodore Front Prize for Chamber and Orchestral Music from the International Alliance of Women in Music.

The Golem Psalms

Composer: 
Andrea Clearfield
Premiere Date: 
May 7, 2006
Composer Notes: 

A golem is a creature from Jewish folklore, made from mud or clay and brought to life through a Kabbalistic ceremony. The Golem Psalms is a choral cantata for baritone solo, SATB chorus and orchestra based on the 16th Century legend of the Golem of Prague where Rabbi Lowe created a Golem as a protector for the Jewish people. The cantata is structured as a series of 7 tableaus inspired by the story with a libretto, written for this work, by Dr.

04/29/07, the Haverford and Bryn Mawr College Choruses, Thomas Lloyd Conductor
02/09/09, Indiana University Contemporary Vocal Ensemble and Conductor's Orchestra, John Leonard, conductor

Proverbs for Four at Fifty

Composer: 
Mark Zuckerman
Premiere Date: 
January 1, 2000
Composer Notes: 

  

Raindrop Diaries

Composer: 
Malina Rauschenfels
Premiere Date: 
February 28, 2009
Composer Notes: 

This piece was inspired by looking at pictures of the Amazon River and its tributaries. It follows a rain drop from a melting snow pile through streams, pristine lakes, stagnant waters choked with algae, polluted tributaries, huge rivers, and finally into the ocean.
 

Three Shakespeare Songs

Composer: 
Steve Cohen
Premiere Date: 
February 13, 1999
Composer Notes: 

These songs were originally written for solo voices and guitar,
and were used in a production of “Twelfth Night” staged in 1980
at the No Smoking Playhouse in New York City.