love is more thicker than forget
New York City occupies a curious spot in the hearts of those of us who live elsewhere, those whom residents of the city parochially insist on calling “mid-westerners.” I say “curious” because even as we tsk-tsk the excesses of her superlatives, we remain envious of her energy and creative resource — her willingness to work to be the best. She is what we would like to be if only our maiden aunt would just look the other way.
This ambivalence is shared by much of the world, I think. When in 2001 extreme men chose to execute extreme measures, they targeted New York City — tacit acknowledgment that she served then as now as an icon for us all, a sacrament of the American spirit and venerable totem of us at our best.
Our response to 9/11 has always chafed me. In those first weeks of the nation’s shock, we came together in a spirit of natural and voluntary self-examination. But just as we had begun to mourn our collective loss, politicians, smelling an opportunity for ideological advancement, elbowed their way to the podium. Arrogance supplanting inspection, we acquiesced to their assurance that polarizing revenge was merely another phrase for the harmony of justice. I did not think — do not think — we honored the victims very well.
When I was asked through Project Encore — a program encouraging the composing of choral music enthusiastically sponsored by the Schola Cantorum on Hudson — to submit a piece for possible inclusion in the Sing New York! Festival, I took the opportunity to act upon my misgivings. For some time I had been studying E. E. Cumming’s [love is more thicker than forget] and thought it might be an appropriate vehicle for honoring the victims and the city. Yes, I know. In the hands of the marriage mongers the poem has become, like poor Paul’s effort in I Corinthians, a banal metaphor for a marital bliss. Perhaps with more energy than sense, I hoped to rescue it.
In any case, it seemed to me that the poem's pairings of thick-thin, forget-recall, and the striking deep-high underscored the appropriate distinctions between wrong-headed retaliation and my hoped-for response of people more in need of grieving than grievance. If there is an eternal aspect to love, surely it lies in its ability to negate violence and hatred. Surely a love less always than to win is indeed most sane and sunly. By returning love for hate, love both thicker than forget and thinner than recall, we may yet honor our dead and can, in time, create meaningful closure to the city’s and our nation’s tragedy.
Certainly, the highest-profile news for PROJECT : ENCORE this season has to do with the major role played by the Project in the New York Choral Consortium’s ‘Sing New York’ festival, which concluded last week with the first-ever ‘Choral Convergence’ (500+ Manhattan singers joined in song!).
When the board of the New York Choral Consortium decided to include a premiere in the first-ever ‘Sing New York’ festival, we were delighted that the submission opportunity was handed exclusively to PROJECT : ENCORE™ composers!
The end result of the process was the world premiere of Wayne Eastwood's 'love is thicker than forget' as part of the 'first-annual' Choral Convergence concluding event of 'Sing New York'--sung by more than 500 Manhattan choral singers on 15 June 2011. The vetting process for the Choral Convergence premiere was a blind one, just as is the procedure with all PROJECT : ENCORE submissions—the only differences being that, in this case, the committee was drawn exclusively from NYCC conductors, and its uniquely-opportuned genesis makes it a premiere, rather than an ‘encore’ performance. It was almost more than we could believe that our season’s Featured Composer happened to produce the winning composition in the very same season. This was not only a ‘choral convergence,’ but a convergence of sorts for Schola Cantorum on Hudson's season in seeing PROJECT : ENCORE take on heightened visibility as a paradigm of excellence in new choral works. The delight and pride we feel in both PROJECT : ENCORE and in our Featured Composer Program, for their increasing presence in pro-active promotion of ongoing creativity in choral composition, exceeds our expectations!
Dr. Deborah Simpkin King, Founder and Director
PROJECT : ENCORE of Schola Cantorum on Hudson
Please contact me by email: your_type@sbcglobal.net
NY Choral Consortium Choral Convergence, conducted by Dr. Deborah Simpkin King
June 15, 2011, NY, NY